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<p>退役车手Sonny Hayes(布拉德·皮特 Brad Pitt 饰)复出,作为导师辅助年轻车手Joshua Pearce(戴姆森·伊德瑞斯 Damson Idris 饰),并与他组队最后一次在赛道上争取荣誉。</p>
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丑陋的继姐
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<p>  埃尔维拉为了与她那美丽得令人发狂的继姐竞争,不惜一切代价。在这个童话王国里,美貌是一桩残酷的生意,她用鲜血、汗水和泪水努力吸引王子的目光。这是一个对经典《灰姑娘》故事的扭曲演绎。</p>
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在溪边
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<p>一位名叫Jeonim的讲师邀请她的叔叔到学校执导一部戏剧小品。Jeonim每天都会去附近的溪边写生,试图捕捉它的形状。她的叔叔决定执导,因为40年前他曾在同所大学执导过一出戏剧小品。学生中发生了一起丑闻事件,Jeonim与她的叔叔最终卷入其中。</p>
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海军罪案调查处:欧洲喋血篇
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<p>  After Ziva&#39;s apparent death, Tony raises their daughter Tali. Years later, Ziva returns, and reunites with Tony. Tony&#39;s company is attacked, the family goes to Europe, tryi..
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恶意
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<p>  影片围绕着滨江三院一起费解的双人坠楼案展开,资深媒体人叶攀(张小斐 饰)始终秉持追寻真相的原则,她在调查中先后将护士李悦和母亲尤茜报道为嫌疑人,却因此引发舆情,事态逐渐失控。</p>
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《拉莉萨》剧情介绍

zllzsj提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin Rasputin  Stefaniya Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2025-02-26 22:00更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 https://zllzsj.com/movie/index59563.html

《拉莉萨》简介:<p>  A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&#39;s films, and her own voice is heard talking about her life and art.<br/>  Elem Klimov&#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&#39;s premature death while filming her adaptation of Valentin Rasputin&#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&#39;s work (Maya Bulgakova&#39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&#39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&#39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&#39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&#39;s Come and See, though by placing the scene first within Larisa&#39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&#39;s knife has cut.</p>